Salvador Dali Spanish, 1904-1989
Lady Godiva With Butterflies, 1979
Bronze lost wax process
20.5" x 9.3" x 16.3"
286/350
Copyright The Artist
Further images
Lady Godiva was an English noblewoman from the eleventh century, who, according to legend, rode naked through the streets of Coventry on horseback, to oppose taxation laws of the time,...
Lady Godiva was an English noblewoman from the eleventh century, who, according to legend, rode naked through the streets of Coventry on horseback, to oppose taxation laws of the time, imposed by her husband the Earl of Mercia, becoming a feminine legend.
In this sublime sculpture, Dalí adds a surreal touch, adorning Lady Godiva’s body with four fluttering butterflies, symbols often used in his artwork. Symbols of the soul and of change, butterflies insinuate rebirth, infinite transformations, metamorphosis, and natural beauty.
Lady Godiva’s ride has inspired many artists, Dalí in particular used this image from 1976 both in bronze and in various etchings.
The Dalínian Lady Godiva with Butterflies does not hide beneath her abundant hair, but proudly announces her femininity. Her whole figure seems to radiate light and luminescence, the trumpet a symbol of victory pointing to the heavens and the future.
R. & N. Descharnes Salvador Dali Sculptures & Objects. Eccart. Ref. 640, page 248.
In this sublime sculpture, Dalí adds a surreal touch, adorning Lady Godiva’s body with four fluttering butterflies, symbols often used in his artwork. Symbols of the soul and of change, butterflies insinuate rebirth, infinite transformations, metamorphosis, and natural beauty.
Lady Godiva’s ride has inspired many artists, Dalí in particular used this image from 1976 both in bronze and in various etchings.
The Dalínian Lady Godiva with Butterflies does not hide beneath her abundant hair, but proudly announces her femininity. Her whole figure seems to radiate light and luminescence, the trumpet a symbol of victory pointing to the heavens and the future.
R. & N. Descharnes Salvador Dali Sculptures & Objects. Eccart. Ref. 640, page 248.